Obscure movie-reference journal-entry title tie-up aside, I’ve pushed out another feature update to The Compendium. Preview MP3s for many of the 500,000+ artists and releases on the site.

It’s not the prettiest of things, but it does the job and that’s the important thing. On Artist pages the availability of music previews should be pretty obvious – it’s the link that says ‘Free MP3s’. Because they are. And that’s that. The 99 cents was a lie. Clicking this cunning little hyperlink should present you with a juicy list of the found music from across the Internets, with an inline preview player and alternative sources where possible.

On Release pages, available previews are indicated by the double-quavers directly next to tracklists. These little green nuggets of Unicode trickery used to link directly to a Spotify search, but were largely redundant for most people outside of Europe without Spotify access. For the time being, these link directly to the mp3 file and/or source page – inline previews coming soon.

Go listen! Bonus points for anyone who recognises the source of this post’s title.

Quick update. I set myself a small challenge. A teeny, tiny, micro Hack Day of my own. With a simple rule to commit myself to completing one of the 101 new things I have in the pipeline, end-to-end, and get it live in a couple of hours. Pointedly it’s a course of discipline since I’ve fallen into a bottomless pit of tweaking and fine-tuning of late.

As the title of this entry might suggest, it involves record reviews! Reviews are already an integral part of release entries on The Compendium, but I’ve never opted to start recording their existence. So I have, and this in turn means that aggregated review listings for an artist’s back-catalogue become available. Well, will become, once more reviews are recorded; the testing sample covered less than 100. Some examples:

It’s a first-cut, and there are many improvements needed, but fortunately it was fairly successful. In part through opting for something fairly trivial, but mainly because I had a reason to commit myself to producing an end result.

I need to do that more often. I’m already responsible for more than one orphan:

All in good time, all in good time…

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beardscratchers.com is a music-focused web experiment and creative-arts journal from London, England.

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